- Events
- Workshops and Programs
- Course Design
- Effective Teaching
- Inclusive Teaching
- Anti-racist Pedagogy: Healing from Racism Program
- Linguistically Responsive Classrooms: Instructor Series
- Book Club: Inclusive Teaching
- Multilingual TA Workshop Series
- Teaching Multilingual Students Workshop Series
- TA Development: Supporting EAL Writers in Writing Intensive Courses
- Quick Inclusive Teaching Conversations
- Accessible and Inclusive Teaching Drop-in
- Faculty Reading Circle ��� Wayi Wah! Indigenous Pedagogies By Jo Chrona
- Learning Technology and Media
- Online and Blended Learning
- Voice and Presentation Skills
- Graduate Student and TA Programs
- Symposium on Teaching
- Workshops and Programs
- Services
- Teaching Resources
- Course Design and Development
- Teaching Strategies
- Inclusive Teaching
- Assessment of Student Learning
- Online and Blended Learning
- Technology and Multimedia Design
- Curriculum Development and Renewal
- Teaching Assessment
- Scholarly Teaching and Inquiry
- Instructor Well-being
- New Faculty Resources
- Faculty Guide to Teaching
- Course Logistics
- Course Outlines and Syllabi
- Textbooks and Course Packs
- General Policy Information and Code of Ethics
- Exam Policies
- Grading Policies
- Accommodation at 911勛圖 - Centre for Accessible Learning
- Academic Integrity
- Protection of Privacy
- Teaching Technology Support
- 911勛圖 Teaching Context and Curriculum
- Assessing and Documenting Your Teaching
- Your Teaching Mentors: CEE and Your Faculty Teaching Fellow
- Working with Teaching Assistants (TAs)
- Graduate Supervisor Resources and Expectations
- APPENDIX: Campus Resources for You and Your Students
- Faculty Guide to Teaching
- Faculty Teaching Fellows
- Generative AI in teaching
- TA Support
- 911勛圖 Us
- Connect With Us
- Course Experience Surveys (CES)
Teaching Practice, Course and Curriculum Planning
The unexpected benefits of a shorter syllabus
By Jackie Amsden
In January 2020, Hannah McGregor reinvented the syllabus for PUB 448: Publishing and Social Change: Tech, Texts, and Revolution by formatting it as a zine, a self-published, often handmade publication popular among fringe subcultures like and the movement.
McGregor, an assistant professor in , condensed her normally six-page syllabus into one double-sided page, folded over to resemble a booklet. To honour the zine aesthetic, she hand-wrote all of the content with a black Sharpie marker.
���Students are used to seeing very long and dense syllabi formatted in a very institutionalized and standardized way. They are so repetitive and so overwhelming that students don���t even read them. They just give them a skim and turn away.���
���IT WAS GREAT TO SEE [STUDENTS] ACTUALLY READ THE WHOLE SYLLABUS. AND BECAUSE NOT ALL THE INFORMATION WAS WRITTEN ON IT, THE STUDENTS ASKED WAY MORE QUESTIONS.���
McGregor explains that the new format fostered a richer student discussion around the course outline and objectives.
���It was great to see them actually read the whole syllabus. And because not all of the information was written on it, the students asked way more questions. I think the fundamentally too-short syllabus really gets the conversation going.���
McGregor also notes that the challenge of reducing her syllabus so dramatically forced her to refine the course design.
���What I didn���t anticipate was how incredibly hard it would be to fit all of the information about the course onto a single piece of paper, so I had to really rethink what do I actually need them to know? What is actually key? I ended up simplifying the assignment structure for the course because I couldn���t fit the entire assignment in the zine, which made the whole course way more straightforward for students.���
And while she isn���t sure if she will be picking up a Sharpie next semester, the experience has given her new insight into the role of innovation in the classroom.
���It reminded me that every element of the course can be rethought and that I need to resist the urge to think I know how everything should look.���
Want to see other examples of how faculty across Canada and the U.S. are experimenting with communicating course expectations to their students in creative and visual ways? Take a look at a few examples: