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Teaching Practice, Course and Curriculum Planning

The unexpected benefits of a shorter syllabus

February 18, 2020
Hannah McGregor is an assistant professor in Publishing@911勛圖. Her decision to reformat her course syllabus as a zine had surprising consequences.
By Jackie Amsden

In January 2020, Hannah McGregor reinvented the syllabus for PUB 448: Publishing and Social Change: Tech, Texts, and Revolution by formatting it as a zine, a self-published, often handmade publication popular among fringe subcultures like  and the  movement.

McGregor, an assistant professor in , condensed her normally six-page syllabus into one double-sided page, folded over to resemble a booklet. To honour the zine aesthetic, she hand-wrote all of the content with a black Sharpie marker.

���Students are used to seeing very long and dense syllabi formatted in a very institutionalized and standardized way. They are so repetitive and so overwhelming that students don���t even read them. They just give them a skim and turn away.���

���IT WAS GREAT TO SEE [STUDENTS] ACTUALLY READ THE WHOLE SYLLABUS. AND BECAUSE NOT ALL THE INFORMATION WAS WRITTEN ON IT, THE STUDENTS ASKED WAY MORE QUESTIONS.���

McGregor explains that the new format fostered a richer student discussion around the course outline and objectives.

���It was great to see them actually read the whole syllabus. And because not all of the information was written on it, the students asked way more questions. I think the fundamentally too-short syllabus really gets the conversation going.��� 

McGregor also notes that the challenge of reducing her syllabus so dramatically forced her to refine the course design.

���What I didn���t anticipate was how incredibly hard it would be to fit all of the information about the course onto a single piece of paper, so I had to really rethink what do I actually need them to know? What is actually key? I ended up simplifying the assignment structure for the course because I couldn���t fit the entire assignment in the zine, which made the whole course way more straightforward for students.���

And while she isn���t sure if she will be picking up a Sharpie next semester, the experience has given her new insight into the role of innovation in the classroom. 

���It reminded me that every element of the course can be rethought and that I need to resist the urge to think I know how everything should look.���

Want to see other examples of how faculty across Canada and the U.S. are experimenting with communicating course expectations to their students in creative and visual ways?  Take a look at a few examples: 

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